GERMAN ACADEMY OF SCIENCE |
GERMAN ACADEMY OF SCIENCE |
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE |
Faculties: Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts |
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PART VII |
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ERRORS IN GAINING KNOWLEDGE IN MUSIC |
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The Level of Perfect Creativity of the Absolute Tone-Substance |
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And we realize that, as the entire tree is there in the seed already without it having to prove itself by the relative process of growth in the same manner, on the level of the harmony, each musical idea is there already as the infinitely compressed fullness of a manifold musical composition. Indeed, we do not have to wait for the composition to grow as separate from the idea: within even the smallest musical idea the entire musical work can be discovered, and is completely and perfectly present there in infinite diversity. |
The Fullness of a Manifold Composition in a Single Idea |
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Complete Fulfilment of Desires and Complete knowledge of Truth as One |
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Thus, the reality of true music we find in the absolute musical force-field of the harmony as a perfect world of our pure knowledge, and looking out into the relative musical developments in the sequence-spaces, in the motif-spaces, and in the musical sound-space, we are surprised to find a separation between the question and the answer of truth. |
The World of Pure Knowledge as the Absolute Musical Force-Field |
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We also notice there a distinction between lower and higher fulfilment, and we realize now that this lack of unity is completely bound to this limited, relative form of creation |
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