Did you read the Introduction?
It is the very Master-Key to understand
the Logical Path & the Curriculum!
3 x 7 = 21 States of Consciousness
GERMAN ACADEMY OF SCIENCE
GERMAN ACADEMY OF SCIENCE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
     
         
 
CREATIVITY
INTUITION
FACULTY OF
OPERA & ARTS
STUDYING UNIVERSALITY IN CULTURE
OPERA & ARTS
SCIENTIFICALLY STUDYING THE UNIVERSAL STRUCTURAL INTEGRATION OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE
 
    THE LOGICAL PATH  
  The Logic of the Scientific Program   The Logic of the Scientific Path
  Sayings of Great Thinkers
Related to the Logic of the Development of Consciousness
 
 
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CREATIVITY / INTUITION   SECOND STATE   CREATIVITY / INTUITION   SECOND STATE   CREATIVITY / INTUITION
.
     
 

CREATIVITY / INTUITION
AUTHENTICALLY STUDYING CULTURE –
THE UNIVERSAL TRADITION OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY –
IN THE UNIVERSAL
MUSICAL FUNCTIONING

RESEARCH & DEVELOPMENT
SCIENTIFICALLY STUDYING
UNIVERSALITY IN CULTURE & THE
UNIVERSAL STRUCTURAL
INTEGRATION OF
SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE IN
OPERA & ARTS
IN

THE SECOND

STATE OF CREATIVITY
refined cosmic creativity

9
SECOND STATE
REFINED
COSMIC CREATIVITY

2nd– 3rd Study-Group


AUTHENTICALLY STUDYING CULTURE –
THE UNIVERSAL TRADITION OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY –
IN THE UNIVERSAL
MUSICAL FUNCTIONING
AND THE
FUNCTIONAL INTEGRATION OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE
IN
THE SECOND STATE OF CREATIVITY
refined cosmic creativity




14. Coordinative Intellect to Musical
Harmony-Space
during the transition from the field of creativity of our coordinative intellect to the force-field of the musical
harmony-space

Link to
PRACTICE



15. Musical Harmony-Space to Integrative Feeling
during the transition from the force-field of the musical harmony-space to the field of creativity of our integrative feeling

Link to
PRACTICE


- through universal harmony synthesis
- through universal sequence synthesis
- through universal motif synthesis
- through the integrated synthesis of
  tone, sound and idea
- through the integrated synthesis of
  sound and idea
- through the integrated synthesis of
  tone and idea
- through universal idea synthesis
- through universal sound synthesis –
  integrated synthesis of tone and sound
- through universal sound synthesis
- through universal tone synthesis


 

At a conventional university
nowadays the endeavor
for “knowledge” and “truth”
runs out already within
the first three states of consciousness:

That is the reason why
(so far) the gate to the states of consciousness four to eight,
and therefore also
to the ninth state of consciousness:
to that field of creativity and/or
intuition in general
is closed
for the professors of the
conventional university
and accordingly for their students, too.

And as all of them
lack the authentic experience
of creativity and/or intuition
connected to the
ninth state of consciousness,

therefore also the higher knowledge gained
on this specific higher level of
creative cognition
is personally totally alien to them all –
also in the area of
OPERA & ARTS.

And even when
the conventional universities
refer to the statements
of the great thinkers, philosophers,
scientists, artists and prophets,
and, like thieves or blind believers,
make their knowledge and their wisdom,
in the limited context of the
first three states of consciousness,
the subjects of their teachings
and their studies,
nevertheless the
higher intuitive states of consciousness

obtained by the wise and
demanded by them,
as well as the higher levels of
creative knowledge
connected to these states of consciousness,
are personally completely alien
to their professors and students:

Because they all
are not able to take
the natural higher
views of creative cognition
of the great thinkers, philosophers,
scientists, artists and prophets
and therefore
lack
those authentic creative experiences
on the higher levels of
consciousness of intuition –

of which the wise report:
also in the field of
OPERA & ARTS.

This section of education in the field of
CREATIVITY / INTUITION
concentrates –
starting from the first
eight states of consciousness

by means of the scientific coordination of

Creative Coordinative Intellect
Musical Harmony-Space and
Creative Integrative Feeling

on gaining the
ninth state of consciousness:
REFINED COSMIC CREATIVITY.

 
For more information please click on the text.
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  “Let Thy will be done.”
Jesus
 
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  “Free is man
when he puts forth God or
makes Him visible
And by this he becomes immortal.”
Schlegel
 
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  “Beethoven explained, his ideas would come from God,
and I can claim the same.”
Brahms
 
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  “You will be like Gods.”
Old Testament
 
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  “Sending light
into the depths
of the human heart –
the artists vocation.”
Schumann
 
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  “About many things
I can only speak with God.”
Goethe
 
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  “To be equal to the Gods,
is the desire of the nobles.”
Goethe
 
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  “Is the soul tuned to God, any action becomes music.”
Hazrat Inayat Khan
 
 
 
 
 
 
 
             
    THE WAY:   For more information please click on the text.   For more information please click on the text.  
.
 
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  Integrated universal process of learning
studying the inner human forces of creativity / intuition
activating the inner human forces of
creativity / intuition in the fields of

   intellectual coordination,
   creative feeling &
   understanding,
   inner creative hearing,
   consciousness,
   mind &
   neurophysiology



 14. Coordinative Intellect to Musical
       Harmony-Space

In the second study-section of creativity / intuition the concentration is on:


- the natural universal musical functional   development of cosmic human   existence, life, evolution & dignity

- the cosmic functioning of universal   opera & arts

- the authentic human intuitive path to the   universal creativity of opera &   performing art –
  the authentic intuitive path of opera &   performing art to the functional   development of cosmic human   existence, life, evolution & dignity

- the authentic scientific path to universal   functional harmony
  and

- the natural universal musical functional   revitalisation of the universal tradition   of science, art, philosophy, religion,   education & medicine of the great   ancient opera & artss of theworld in
  opera & arts

- in connection to objective scientific   research in the fields of science, art,   philosophy, religion, education &   medicine under the auspices of   medicine and

- in coherence with the universal musical   functional development of the natural   universal cognitive ability of our   intellect


- within the universal development of   human creativity


- through universal analysis in the   musical fields of creativity
 
 
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  The Degree of Density of
Information in Music

In the infinite density of the harmony the entire music creation is there like in seed form, and only for the brief moment of hearing it grows into the audible world of music as the created tone creation.
 
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  The Great Soul of the Musical Creation
By means of the harmony-technique, the applied harmony-technique, the sequence, the sequence-technique, the applied sequence-technique, to the motif, the motif-technique, and the applied motif-technique, the harmony – as the great soul of the musical creation in the subjective sphere of music – determines from within the entire musical process, including the outer world of the musical sound-space, the objective sphere of music: the world of our thinking.

The harmony here presents itself in its threefold perfect form:

- In the all-connecting form of harmony   itself: in the form of the inner universality:   the beauty of music: expression of the   cosmic harmony laws;

- then, through the harmony-technique – the   application of the cosmic universal laws –   it manifests in the form of its inner power:   expressed in the natural, motherly rule of   the sequence: of the cosmic social laws,

- and finally, through the applied harmony-
  technique – the application of the cosmic   laws of individuality – it unfolds in the   form of the creative multiplicity of motifs.
 
 
 
 
 
 
 
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  “Harmony and number
are divine powers.”
Pythagoras
 
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  “Enlightenment and natural music
must not for one moment
be absent to the personality.
If one lets this music affect
ordering the character,
then a quiet, straight, honest
and upright character grows up amply.
If a quiet, straight, honest
and upright character is created,
one becomes cheerful.
Through cheerfulness comes peace,
Through peace comes duration,
Through duration heavenly nature is created,
Through heavenly nature divinity is created.
Heavenly nature does not need to talk and yet finds belief,
Divinity does not need to be angry and
yet finds awe.
This is the consequence of ordering the character by music.”
Konfucius
 
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  “God does not die the day,
we no longer believe in a personal Godhood,
but we die the day,
on which life is no longer pervaded
by the always returning brightness of wonder,
by the light sources beyond all reason.”
Dag Hammarskjöld
 
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  “Who owns science and art,
has also religion.”
Goethe
 
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  - during the transition from the field of   creativity of our coordinative intellect
  to the force-field of the musical
  harmony-space
Link to
PRACTICE

 

 

 

 










For more information please click on the text.
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  Music as a Force of Nourishment
Here music proves to be the appropriate, unequalled, mental nourishment for the objective understanding of our human qualities, but also as a lively tool to individually gain mastery over our inner world of feeling and understanding.
 
 
 
 
 
 
 
 
“During the transition from the field of creativity of our coordinative intellect to the force-field of the musical
harmony-space”:


Within the musical harmony-space we expand the field of integrated subjective & objective creative studies in opera & arts.

The musical harmony-space within our mind is the natural field of authentically studying the integrated activation of the universal physical, individual and social functioning of opera & arts – the subjective & objective functioning of opera & arts.

The intellect is a natural subjective instrument of authentically activating the universal functioning of
opera & arts:


Self-awareness, the
intellectual coordinative ability, feeling ability, intellectual understanding, inner hearing, inner voice & consciousness are our natural instruments of subjectively authentically activating the universal functioning of opera & arts.

 
   
           
 
 
 15. Musical Harmony-Space to Integrative Feeling

In the third study-section of creativity / intuition the concentration is on:


- the natural universal musical functional   development of cosmic human   existence, life, evolution & dignity

- the cosmic functioning of universal   opera & arts

- the authentic human intuitive path to the   universal creativity of opera &   performing art –

  the authentic intuitive path of opera &   performing art to the functional   development of cosmic human   existence, life, evolution & dignity

- the authentic scientific path to universal   functional harmony
  and

- the natural universal musical functional   revitalisation of the universal tradition   of science, art, philosophy, religion,   education & medicine of the great   ancient opera & artss of the world in
  opera & arts

- in connection to objective scientific   research in the fields of science, art,   philosophy, religion, education &   medicine under the auspices of   medicine and

- in coherence with the universal musical   functional development of the natural   universal integrative ability of our
  cosmic feeling


- within the universal development of   human creativity


- through universal analysis in the   musical fields of creativity
 
 
For more information please click on the text.
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  Play of the Human Qualities
In music the human-cosmic abilities appear as acting characters; they live through the process of cosmic evolution in the play or, if necessary, even fight of the inner qualities – scenes which everyone can know from experience and relate to as a listener.

Systems of Increasingly Comprehensive
Musical Order

Being systems of superior order, the solar systems of the cosmic spheres of individuality of the motifs include the cosmic planetary systems of the sound-spaces, and the milky ways of the cosmic social spheres of the sequences include the solar systems of the cosmic spheres of individuality of motif-spaces, and the universe of the musical harmony – seat of the harmony laws of the microcosm of music, or of the Creator and Almighty Nature respectively – includes the milky ways of the cosmic social spheres of the sequences; and the systems of one order always move within the system of a higher order.
 
 
 
 
 
 
 
For more information please click on the text.
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  “Like of all music
also the purpose and final cause of the basso continuo
shall be for nothing other but for the honor of God and recreation of the heart:
Where this is not taken into account, there is no actual music, but a devilish bawling.”
Johann Sebastian Bach
 
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“... but no matter how clever the workman- ship, no composition will live unless it is inspired.
Composing is a procedure that is not so readily explained.

When the inspiration comes, it is something of so subtle, tenuous, will-o-the-wisp-like nature that it almost defies definition. When in my most inspired moods, I have definite com- pelling visions, involving a higher selfhood. I feel at such moments that I am tapping the source of infinite and eternal energy from which you and I and all things proceed. Religion calls it God.”„It is of the utmost importance to put the thoughts on paper immediately lest they quickly fade away. Once fixed I often look at them again and this conjures up the same frame of mind that gave birth to them; thus the ideas grow and expand. I am a firm believer in the germination of the idea.I realize that the ability to have such ideas register in my consciousness is a Divine gift.
It is a mandate from God, a charge entrusted to my keeping, and I feel that my highest duty is to make the most of this gift – to grow and expand.

I was, however, definitely conscious of being aided by a more than earthly Power, and that it was responsive to my determined suggestions.
A firm believe in this Power must precede the ability to draw on it purposefully and intelligently. That much I definitely know.”
                      Richard Strauss
 
 
 
 
 
 
 
           
 
  - during the transition from the force-field   of the musical harmony-space to the
  field of creativity of our integrative   feeling
Link to
PRACTICE
 























For more information please click on the text.
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  The Great Attraction of Classical Music
The simultaneous comprehension of the “vertical” and the “horizontal” human-cosmic systems of order through the integrated function of feeling and understanding accounts for the great attraction of classical music.

Lively Musical Radiation
If creating and listening to music wants to radiate life, the integration of feeling and understanding is always required.

Structure of Rulership of the Harmony
At a certain degree of musical order – in the sphere of presenting the cosmic evolution and movement of matter – the cognized rulership of the harmony is called “overtone-mechanics”.

At a higher degree of order – in the sphere of presenting the cosmic individual evolution of creatures – the cognized rulership of the harmony is called “motif-technique”.

At a still higher degree of order – in the sphere of presenting the cosmic social evolution – the cognized rulership of the harmony is called “sequence-technique”.

And at the most comprehensive order – in the sphere of presenting the cosmic universal evolution – the cognized rulership of the harmony is called “harmony-technique”.
 
 
 
 
 
 
 
 
“During the transition from the
force-field of the musical harmony-space to the field of creativity of our
integrative feeling
:
With the musical harmony-space we remain in the field of integrated subjective & objective creative studies in
opera & arts.


But we now move from the coordinative creativity of our intellect to the integrative creativity of our feeling.

Remember: The musical harmony-space we verified to be the natural field of integrated studying authentically the physical, individual and social structure – the subjective & objective structure of opera & arts through the organs of COGNITION.

But now we experience: the musical harmony-space is the natural force field of integrated studying the authentic universal activation of the physical, individual and social – the subjective & objective functioning of opera & arts through the organs of CREATIVITY.

In the COGNITION / KNOWLEDGE program we authentically had experienced the structural developments of consciousness, inner voice, inner hearing, intellectual understanding, feeling ability, the intellectual coordinative ability & self-awareness as the
natural instruments of subjectively studying opera & arts.

Here in the CREATIVITY / INTUITION program we authentically study the universal functional developments ofcreative self-awareness, creative intellectual coordinative ability, creative feeling ability, creative intellectual understanding, creative inner hearing, creative inner voice & creative consciousness – the natural instruments of subjectively authentically activating the universal functioning of
opera & arts.


And now we go on with the functional developments of the universal creative self awareness and the universal
creative intellect.

 
     
   
           
 
  _______________________________________________________
In the second & third study-section of creativity / intuition the concentration is on:

- the enhanced performance of
  humanity & health in the function of   intellectual coordination,
  creative feeling &
  understanding,
  inner creative hearing,
  consciousness,
  mind &
  neurophysiology


 
 
For more information please click on the text.
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  Mastership of the Musical Creator
over the Created Composition

On the other hand, from this “vertical” viewpoint the under-standing arises that
 - from a state of greater subtlety the world    of lesser subtlety is governed, and that
 - from the subjective world the objective       world is governed.
 
 
 
 
 
 
   
     
 
THE AIM:
.
Embodiment of natural intuition – the creative humane, universal & healthy artist, scientist, philosopher, priest, educator, medical doctor: the realisation of the cosmic creativity in culture
 
THE APPROACH:
.
Release of psycho-physiological manifestations of stress
 
THE METHOD:
.
Music as a harmonic data carrier
scientifically activating the refinement of the inner human forces of creativity / intuition

In the second & third study-section of creativity / intuition the concentration is on:

- the further development of creative
  self-Awareness

- the further development of creative   intellectual coordination
- the development of creative feeling
- the development of creative intellectual   discrimination
 
THE STYLE:
.
Music according to the laws of nature –
application of the natural harmony laws of the microcosm of music

medical   educational
 
THE HARMONY LAWS OF NATURE
STRUCTURING THE PROCESS OF
CREATIVE INTELLECTUAL COORDINATION
CREATIVE FEELING
CREATIVE UNDERSTANDING CREATIVE INNER HEARING CREATIVE CONSCIOUSNESS CREATIVE THINKING &
CREATIVE NEUROPHYSIOLOGY


PREPARATORY STUDIES:
FACULTY OF
MUSIC & MUSICOLOGY
     
For more information please click on the text.
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  “Harmony is the source of all Creation,
the cause for its existence
and the link
between God and man.”
Hazrat Inayat Khan
 
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  “The ethically highest and the
greatest good
is the peace of the soul –
therefore it is also the highest bliss
at the same time.”
Aristotle
 
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  “The peace,
for which every soul struggles
and which is the true nature of God
and the final goal of man,
is nothing other than
the consequence of harmony;
this proves,
that all achievements in life are void,
if a sense for harmony is missing.
It is the realization of harmony,
which is called heaven,
and the lack of harmony is called hell.
Only who is a master of harmony
understands life,
and who misses it, is foolish,
in spite of all knowledge,
that he may have acquired.”
Pir-o-Murshid Hazrat
Inayat Khan
 
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  “Concentrated thinking
is an enormous force
and the divine power
reacts to it.”
Richard Strauss
 
.
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  “Who can set boundaries
to almighty power?”
Schiller
 
 
 
 
 
 
             
  PROGRAM          
.
 
 
 14. Coordinative Intellect to Musical
       Harmony-Space
_______________________________________________________
 
 
Right from the beginning of the
first study-section,
starting from the state of unity creativity,
the creativity moved freely between the seven states of consciousness,
first concentrating on the
establishment of the seventh state:
UNITY CREATIVITY.
     
 
SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY:
THE COSMIC FUNCTIONING OF UNIVERSAL CULTURE –
THE AUTHENTIC HUMAN INTUITIVE PATH TO THE UNIVERSAL CREATIVITY OF CULTURE –
THE AUTHENTIC INTUITIVE PATH OF OPERA & ARTS TO THE STRUCTURAL DEVELOPMENT OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY –
THE AUTHENTIC SCIENTIFIC PATH TO UNIVERSAL FUNCTIONAL HARMONY
AND
THE NATURAL UNIVERSAL MUSICAL STRUCTURAL REVITALISATION OF THE UNIVERSAL TRADITION OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE OF THE GREAT ANCIENT CULTURES OF THE WORLD IN
OPERA & ARTS –
IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF THE NATURAL COSMIC COORDINATIVE ABILITY OF OUR INTELLECT

WITHIN THE UNIVERSAL DEVELOPMENT OF HUMAN CREATIVITY
THROUGH UNIVERSAL SYNTHESIS IN THE MUSICAL FIELDS OF
CREATION
DURING THE MUSICAL PROCESS OF CREATION
Link to
PRACTICE
 

Here within the second & third study-section the CREATIVITY / INTUITION goes on moving freely from
unity creativity down in the direction of the first state,
concentrating on the sixth state:
REFINED COSMIC CREATIVITY.
Through this systematic
further scientific development of
creative self-awareness,
creative intellectual coordination, creative feeling ability, and
creative intellectual discrimination,
the CREATIVITY / INTUITION
now establishes the
sixth state of creativity:
REFINED COSMIC CREATIVITY
.


     
             
 
 
 15. Musical Harmony-Space to Integrative Feeling
_______________________________________________________
 
SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY:
THE COSMIC FUNCTIONING OF UNIVERSAL CULTURE –
THE AUTHENTIC HUMAN INTUITIVE PATH TO THE UNIVERSAL CREATIVITY OF CULTURE –
THE AUTHENTIC INTUITIVE PATH OF OPERA & ARTS TO THE STRUCTURAL DEVELOPMENT OF COSMIC HUMAN EXISTANCE, LIFE, EVOLUTION & DIGNITY –
THE AUTHENTIC SCIENTIFIC PATH TO UNIVERSAL FUNCTIONAL HARMONY
AND
THE NATURAL UNIVERSAL MUSICAL STRUCTURAL REVITALISATION OF THE UNIVERSAL TRADITION OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE OF THE GREAT ANCIENT CULTURES OF THE WORLD IN
OPERA & ARTS –
IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF THE NATURAL UNIVERSAL INTEGRATIVE ABILITY OF OUR COSMIC FEELING

WITHIN THE UNIVERSAL DEVELOPMENT OF HUMAN CREATIVITY
THROUGH UNIVERSAL SYNTHESIS IN THE MUSICAL FIELDS OF CREATION
DURING THE MUSICAL PROCESS OF CREATION
Link to
PRACTICE